Review of Mono/Poly Play

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Brian Reynolds’s new play Mono/Poly is a laugh-out-loud exploration of the shenanigans that ensue when two monogamous couples meet a polyamorous triad. This delightful and rousing play just opened at the Hudson Theater in Los Angeles, and I had the pleasure of seeing it twice and sitting on the panels after each performance.

 

Having attended many, many plays I am well aware of how painfully bad theater can be, and I must admit that I was a little bit nervous about sitting on the panels after the show. What would I say if it was terrible? To my absolute delight (and a little bit of relief), Mono/Poly was fantastic! Great dialog that was both witty and believable, a completely plausible and yet interesting plot, and incredible actors perfectly cast in their roles made the show an amusing and satisfying experience. I was sad to see it end and could definitely have watched a third act, which is a major statement for my ADHD-short-span-of-attention-for-entertainment self.

 

This was the first showing, and Reynolds is in talks with other theaters in the LA area who may host another performance of the production in a larger space. Let us all hope that those talks come to fruition with another staging of Mono/Poly sooner than later. If you get the chance to see this wonderful play, jump at it! I can’t wait to see it again — on Broadway.

Dr. Elisabeth Sheff, PhD, CASA, CSE

One of a handful of global experts on polyamory and the foremost international expert on children in polyamorous families, Dr. Elisabeth Sheff has studied gender and
families of sexual minorities for the last 16 years. Sheff’s television appearances include CNN, and the National Geographic, and she has given more than 20 radio, podcast, print, and television interviews with sources from Radio Slovenia to National Public Radio, the Sunday London Times to the Boston Globe and Newsweek. By emphasizing research methodology and findings in her discussions, Dr. Sheff presents the kind of public intellectualism that encourages audience members to think critically regarding gender, sexualities, and families.

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